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as unscholarly" and will be eyed warily by self-proclaimed ecocritics as a result' (19 quoting O'Dair, 75). (1) Jones points to his historicist approach as the source of his supposed failure, and he retorts with an oddly preemptive defense: 'I suspect that I may be accused of coding "presentist. In his introduction, Jones begins the subsection 'Shakespeare's Storms and Ecocriticism' by declaring, 'I think I have already failed the test' (19), the test being the titular question posed by Sharon O'Dair's chapter in Ecocritical Shakespeare: 'Is It Shakespearean Ecocriticism If It Isn't Presentist?'. Sharon ODair ends the volume with a useful discussion of how Weberian and Marxist understandings of class differ and then a no- holds-barred attack on. For all this emphasis on the natural, one might expect Jones to have an easy relationship with ecocritics. One of Jones's main contentions is that the characteristically natural origins of Shakespeare's storms set them apart from the typically supernatural storms in works by contemporary playwrights, and, furthermore, that Shakespeare's audiences came to expect that the Shakespearean storms they witnessed in the theatre could be explained without recourse to the supernatural. The book's argument centres on spectatorship of the storms (whether by characters in the plays, or, more to Jones's point, audiences in the theatre) and interpretations of their origins-natural or supernatural. Jones offers a narrative of development in Shakespeare's dramatic representations of storms, proposing that throughout Shakespeare's career, 'we see an increasing interest in bringing the storm into a more immediate, and thereby dramatic and threatening, presentation' (3).
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#Sharon o dair full
The full chapter readings (save the last) are preceded by mini-chapters (ranging from three to nine pages) in which Jones usefully provides historical research on early modern meteorology.
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Praise / Awards 'A feisty polemic against what O'Dair sees as the academy's deleterious effects on the working class. Jones's familiarity with weather references in the canon is wide-ranging, but his chapter-length readings of five plays (Julius Caesar, King Lear, Macbeth, Pericles, and The Tempest) are sharply focused. Sharon O'Dair is Associate Professor of English, University of Alabama. This essay argues that the universally praised opening of the literary canon resulted in problematic effects for professors of literature and. Its author, Gwilym Jones, seems to have preconceptions of ecocritics' preconceptions, making for some tricky moments in an otherwise deservedly lauded contribution to Shakespearean scholarship. Pp xi, 198.Įcocritics might well have preconceived notions about a book titled Shakespeare's Storms, the winner of the 2016 Shakespeare's Globe Book Award. Manchester: Manchester University Press, 2015.
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